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José Rodríguez Elizondo
Abogado, Periodista, Escritos, Docente Universitario y Diplomático

Realizó sus estudios de humanidades en el Liceo de Aplicación, egresando el año 1952. Posteriormente ingresó a la Facultad de Derecho de la Universidad Chile, where a degree in law and social sciences, later obtained his law degree.

exile in East Germany came in 1974, along with hundreds of leftists fleeing repression unleashed by the military junta in Chile. Thanks to its intellectual status, saved proletarianization process by which hundreds of fellow worked for years in German factories. His fate was Karl Marx University of Leipzig. There, along with other thinkers of the PC, tried unsuccessfully to apply Marxism-Leninism to the Chilean reality many answers about the failure of the UP .

His deep disillusionment with socialism and the theoretical uncompromising he was dropping his party did, two years after breaking with the PC and out of East Germany . So began a process of self-criticism that culminated in the publication of the book "Crisis and Renewal of the Left in Latin America."

José Rodríguez Elizondo is now Professor of International Relations Faculty of Law University of Chile and columnist The Third , Chile, and La Vanguardia of Barcelona Caretas magazine in Peru. Member of Editorial Board of Tendencias21, has also written books and essays. His main work consists of 20 titles, including fiction, essays, philosophical and legal argument and reports.

He served as counsel for the Comptroller , Attorney CORFO, Steering UN, Ambassador of Chile in Israel during the government of Eduardo Frei between 1997 and 2000. He was the first director Information Centre United Nations in Spain (1986-1991), Director of Cultural Affairs and Information, Ministry of Foreign Affairs of Chile (1991-1994).

The drawing, a vocation and a natural talent who know only his closest.

A little-known perspective of Rodriguez Elizondo is his fondness for the cartoon, the journalist Ximena Torres Captive in the interview that is transcribed reveals.

Where was this taste. Why Chile is not public this talent of yours. You have exhibited outside of Chile, where? It was so

boy, who can not remember when I started drawing people from a comic perspective. I found that had some merit, when my art teacher at the school, seized the monkey was doing to a partner, looked appreciatively and asked me to do one to it. In Chile has been a very private hobby, but known and suffered by my friends concho Plaza Brazil and my colleagues in the Faculty of Law. In this all remember "The Escupitín", a bulletin board that took out two other idle. There was no one without his monkey. By the way, the historian Jaime Eyzaguirre repeated good-humored gesture drawing of my teacher. He asked me to give away the caricature he had exposed in the newspaper. In Peru, I published a column in the newspaper Ultima Hora ("articultura Notes"), which I illustrated with comics and cartoons monkeys. And in Israel made a public statement, which was well attended and discussed. I was organized Pituach Herly Mayor, the city where he lived. Also there, the Castilian Aurora magazine published several cartoons of me fellow ambassadors.

Of the Chilean cartoonists and the world, what are you most admire?

Jimmy Scott is a great teacher for your collection gesture, the fineness and cleanliness of the stroke. I also enjoy peanuts, its styling features. In Argentina I still admire the colossal Hermenegildo Sabat, by creative-interpretive elements incorporated. In Peru, is Carlin, who gets distorted caricatures that look like photographs. And in the United States is a great, in the New York Times, but I do not remember your license plate.

Why in this graphic and humorous side of journalism are not many women, given that we are many in the profession and practice of the profession?

Apparently, it's a genre that is beyond the genre. There is, yes, a Frenchwoman who makes comics great. I mean Claire Breteche. His style is so contagious that eventually appear in the monkeys imitated Jimmy Scott himself.

What are your most successful cartoons?

Those of my family. The credit goes to my wife and my children Maricruz Maca and Sebastian, which support and (sometimes) to semi-smile. My kids are monkeys on the day of birth.

What attributes must have a face to be a good cartoon?

Main attribute: not be pretty or clean-shaven (men section). A perfect face is an insult to the cartoonist, who must settle for finding the gesture. And gesture is captured much better when it is inserted in Nose, dried apricots, brush brows, crow's feet, bald, bald or balding with grapevine, feathers and gills of any Episcopal.

is, much of which goes in the Chavez and Lulas Evos, among others, visit us and talk about the Lakes, Insulza and many others who populate the scene. Why women do not like us caricaturized?

because you suspect from the beginning that do not inspire cute cartoons.

Has anyone angry or felt you to see your interpretation of him or her?

As a cartoonist I made, ever caricaturing the mistake of people who had real features of caricature. I learned early (thankfully) that amounted to mocking caricature. That was stupid enough to laugh at because it is short a midget or a homosexual because he does not like women. Beyond that, I learned that women suffer a bit, I stopped trying ... with some exceptions, such as Maricruz and Maca (thanks, again ... we must be cautious and a little bootlicking). As men, they just feel angry or those unsure of themselves, those who love too much and fools serious. Categories 2 and 3 tend to coincide.

What do you think hurts more: a accurate portrait of a successful written or cartoon?

clarify: a good cartoon can only hurt the self-conscious men, fools and prep. But these will hurt anything, oral or written, that is not flattering. The smart guys, cultured and friendly, they know that if they go through life without a good cartoon published, there were none. Published

Terra Chile on 9 November.

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Written by José Rodríguez Elizondo on Tuesday November 27 2007 19:59

Works:

• His first nude and other tales of humor and amazement (Radio U. de Chile, 2006).

• neighborhood crises in the government of Lagos (test 2006)

• Chile-Peru: The century we live in danger (test 2004)

• Chile: a successful case of underdevelopment (essay, 2002)

• The Pope and his fellow Jews (essay, 2000)

• The Neruda I knew (Essay, 2000)

• La pasión de Iñaki (novela, 1996)

• Crisis y renovación de las izquierdas (Ensayo, 1995)

• La ley es más fuerte (ensayo, 1995)

• Vargas Llosa: historia de un doble parricidio (Ensayo, 1993)

• Por no matar al general (Novela, 1993)

• Crisis de las izquierdas en América Latina (Ensayo, Premio América del Ateneo Madrid, 1990)

• Democracy and Human Rights in Latin America, Madrid: Ediciones de Cultura Hispánica, 1989

• Nosferatu and other exiles (Cuentos. 1984).

Awards:

• King of Spain Prize for Journalism (1984), for his work in the magazine Caretas

• Diploma of Honor Municipality de Lima (1985)

• America Award Ateneo de Madrid (1990)

• International Award Peace of the City of Zaragoza (1991).

Ref:

http://www.tendencias21.net/conosur/

http://docs.tercera.cl/especiales/2001/verdeolivo/capitulo03/entrevista02.htm

http://www.terra.cl/noticias/index.cfm?id_cat=302&id_reg=875955