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Freifeld Umanskaia
Engineer, Sculptor, Professor University

Novasuliza Born in 1921, a village in Bessarabia, which was then part of Russia. His family suffered famine and wandered long to settle in Bucharest, Romania.

arrived in Chile at age seventeen with his family in 1939 to escape Nazi persecution in Europe, thanks to a comprehensive Consul of Chile and I had friends in our country, settling in Santiago.

The teenager gave a "test of maturity" from the School of Application, from where he graduated in 1940 from sixth of humanities. Later he joined the School of Engineering, University of Chile. At

Engineering fourth year he discovered his artistic vocation. While in Antofagasta, in practice, familiar with the work of a sculptor Yugoslav and decided "this is what I do." When I informed her mother, she reacted wisely. "Demuéstrate yourself that you do not give as a flight engineering. Finish your studies first and then you do the art. "

And so, in addition to his professional work, Freifeld joined the Faculty of Fine Arts at the University of Chile and so begins his tireless search for the ways of art. [1]

At first his work was basically developed in murals, also ventured into the difficult technique of stained glass. From the 60's, began the development of sculpture very transparent cut sheet metal, artwork using the engineer all his wisdom, his steel plates and springs are bent, stretched, flexed, and taking maximum advantage of the elasticity of the material.

The background of his work consists of a rich poetic and philosophical thought, which invests in striking phrases: "I make traps to catch los espacios!

Integró el Grupo de Estudiantes Plásticos de esta Universidad, creado en 1946 por alumnos de la Escuela de Bellas Artes con la intención para acrecentar su formación artística con acciones que complementaran la enseñanza que recibían en la Escuela y divulgar la situación artística de Chile en Europa.

Participó en los Talleres de Materiales Definitivos de la Universidad de Chile llegando a ser profesor auxiliar de la escultora Lily Garafulic, encontrando luego en la escultura, su verdadera vocación. Estudió Ingeniería Civil en forma paralela a los cursos de Arte.

Fue profesor auxiliar de la Escuela de Bellas Artes de la Universidad de Chile, profesor de School of Arts and Technology of Viña del Mar and Professor at the School of Engineering at the University of Chile. Abraham

Freifeld, neo constructivist artist, which posed the basics of organic constructivism and the incorporation of physics on its dialectical relationship with synaesthesia (the union of sensations).

He worked as an engineer of the Ministry of Public Works, there arises to build a human scale, meaning that a building (in the broadest sense), meets people, is made for people, not vice versa.

VISUAL STRATEGY [2]

In its early cultured human figure sculpture, stained glass art with mythological paintings of male and female birds. Cultist of sports and studies Eastern philosophy which later exerted an influence on his art and led him to address the sculpture within a constructivist and minimum volumes, with great economy of resources and the most austere rigor. Established abstract relations, space, geometric and flat surfaces with a growing suggestion of height. It also pioneered the creation of urban space works that exceed the memorial dependent on traditional sculptural styles. Was also devoted to the design wall reliefs and mosaics for buildings.

figures has worked in metal, including the use of wires and metal sheets made of steel. Awards and Exhibitions



AWARDS
  • 1956 Second Prize in Sculpture, Official Salon of Art, Museum of Contemporary Art, Santiago.

EXHIBITIONS

  • 1956 Official Salon of Art, Museum of Contemporary Art, Santiago.

  • 1959 New paintings and sculpture Chile, Museo Nacional de Bellas Artes, Santiago.
    Selected in 1965
  • II Sculpture Biennial, Museum of Contemporary Art, Santiago. 1991 Six

  • Vitrales Montecarmelo Cultural Center, Santiago.

  • 1996 Fifty Years of Contemporary Sculpture Chilean Mapocho Cultural Center, Santiago.

WORKS IN PUBLIC PLACES


  • BATA SHOE FACTORY,

  • ESTADIO SANTIAGO ISRAEL,

  • SANTIAGO NEIGHBORHOOD UNIT PROVIDENCE,

  • SANTIAGO RAILWAY STATION STATE Osorno, CHILE.

WORKS IN PRIVATE COLLECTIONS


  • Abbel, MARIA CAROLINA / BINDIS, RICARDO / SOLANICH, ENRIQUE. 50 Years of Contemporary Sculpture Chilena. Founder and Curator, Silvia Westerman. Santiago: Centro Cultural Estación Mapocho, 1996. AGENDA

  • CAP 1964. Sculpture in Chile. Santiago de Chile: Ediciones Ceitelis Ladrón de Guevara, 1964.

  • LIBRARY AND INFORMATION CENTER. Artist's Documentary Archive Abraham Freifeld.

  • Sculpture Biennial. Second Biennial Sculpture. Museum of Contemporary Art / University of Chile. Santiago, 1965.

  • LE BLANC, MAGDALENA. Student Group Plastics: A Proposal for Renewal. Seminar Fine Arts for the Bachelor of Aesthetics, Catholic University of Chile. Teacher: Milan Ivelic. Santiago, 1995.

  • MELCHERTS, ENRIQUE. Introduction to Sculpture Chile, Valparaíso, 1982.

  • NATIONAL MUSEUM OF FINE ARTS. Chilean new painting and sculpture. Ogaz Damaso text. Santiago, 1959. NOVOA

  • TORREALBA, ELSA. Thesis Title Chilean Contemporary Sculpture, Abraham Freifeld. Santiago: Universidad de Chile, Escuela de Bellas Artes, 1967.

  • SOLANICH SOTOMAYOR, ENRIQUE. Sculpture in Chile: Another Look for Studio, Santiago, 2000.

Node Theory Constructivism and Neo Organic [3]

The "arts of return" occur as a response "organic" and Abraham transdisciplinary Freifeld the classical arts space Henry Van Lier.

In response and participation in this organic way projecting America after 1945, this civil engineer insists on energy investment variables in the construction processes as a constituent part of its organic "denied." Exaggerating the dialectical process, as Hannes Meyer, Freifeld in Chile is that the progress of the reform architects are still in a limit "formalist functionalist" which will propose a "utopian engineering" based on a theory of node "and" constructivism organic. "


"The foundation of any growth form is in the beginning of the
rupture and continuous development from a core element"

U. Abraham Freifeld


Freifeld as an engineering student rethinking energy flows of the main streets of the city, while a student at the Faculty of Sciences and Arts, member of Students Plastics (GEP), began be interested in constructivism Gavo realistic, Pevsner and Constructivism of Tatlin most advanced organic and unknown.

While you will have to work directly with the proposed bypasses of Honold and Correa in the relevant ministry, to its waiver extends to calculate first nodal system bypasses roundabouts as synergistic, human scale, as the clover system in vogue dehumanized U.S. at that time. Is the period "constructivist productivistic of Freifeld.

Ref:
[1] Interview by Sonja Friedmann,
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